Saturday, April 30, 2011

Thought: Beatlemania in the time of Pink Floyd (the 'sound' of a band)

Arguably the greatest musical phenomenon of the last half-century, the Beatlesque era of the sixties has left an indelible mark on pop culture. What made the Beatles irresistable to those who heard them? Why do Beatles songs still play in the hearts of music fans today, more than any other band of the time? While numerous theories abound, all in relation to aspects of the band other than the music itself, I decided to try and find an explanation in their songs.

I think the most important reason for their success in drawing loyal fans is that the Beatles didn't ever have any major lineup changes. It was always John, Paul, George and Ringo. And, like the smart boys they were, they decided to end the band altogether at the first signs of infighting. Paul went on to form the Wings, John and George had successful solo careers and Ringo, I presume, went on to live a happy family life somewhere. My point is that the Beatles, as a group, is separate from its individual members. So when I think of the Beatles, I think of that golden period when the four were creating musical history together.

It is for this reason that the music of the Beatles has a very specific sound. This sound is consistent in all their albums, from their very first release (Please Please Me, 1963) to their last (Let It Be, 1970). To a fan, the sound of a band is of utmost importance. Many bands take great pride in diversifying their musical sensibilities and exploring new sounds. While it is a commendable endeavour no doubt, creative pursuits like this often lead to inconsistency in a band's sound. Let me explain further. For this purpose, I am compelled to compare the Beatles with one of their biggest contemporaries, Pink Floyd.

Piper At The Gates Of Dawn (1967)

Pink Floyd started off playing the UK underground circuit in the sixties. Their lead singer at the time was Syd Barrett, with a very distinctive songwriting style. I shall call the early years the "Piper" era. Barrett left the band while it was yet to peak. Understandably, the rest of the members had great ambitions for the band and Roger Waters (bass) decided to take matters into his own hands. Lead vocals were thereafter shared between him and David Gilmour (guitar), with Rick Wright (keyboards) pitching in with backing vocals where required. I shall call this the "Dark Side" era.

Dark Side Of The Moon (1973)
Gilmour and Waters soon decided they couldn't be in the same band anymore and Waters bid adieu to the others. Around that time, the world of music was undergoing what I like to call its own version of an 'industrial revolution'. From then on, the band's sound became harder and more progressive, with cleaner guitar and keyboard arrangements. Gilmour, Wright and Mason (drums) made up what would be the final leg of the band's career, the "Divison Bell" era.

The Division Bell (1994)

As a result of these three mutually exclusive periods of musical creativity, any Pink Floyd Greatest Hits compilation sounds like a mix cd of songs by more than one band. Now, certain connoisseurs of classic rock (like yours truly) still love Pink Floyd in all its three avatars. However, to an ardent fan of, say, the "Piper" era, the music of Pink Floyd's later years must sound like quite a rude deviation. Similarly, to a fan of the clean-edged guitar lines of the "Division Bell" era, the almost 'quirky' arrangements of the band's early years must sound like some kind of a joke.

A fan of the Beatles, on the other hand, will most probably like all of the band's recorded music, or at least not be averse to any of it. Whether it's the boyish tune "P.S. I Love You" or the edgy protest song "Get Back", the sound of the Beatles runs at the core of their entire catalogue of songs, and it is for this reason, above all, that their fans have stayed loyal all these years.






Thursday, April 28, 2011

Friday's Dust/Doves

http://www.youtube.com/watch?v=rYKb_xIDKxk

Haunting melody. These guys hit the nail on the head every time.

The Guitar Solo

Brothers In Arms/Dire Straits  (Outro. Sweet tone of Knopfler's Stratocaster.)
Under Cover Of Darkness/Strokes  (After the second chorus. Brilliantly quirky, like the band itself.)
Night Owl/Little River Band  (Outro. The harmonics sound awesome.)

Monday, April 25, 2011

Saturday, April 23, 2011

Love Will Keep Us Alive/Eagles

http://www.youtube.com/watch?v=jqTLlHkfSC4

Dedicated to a dear friend of mine. Easily one of my favourite love songs. Also, one of my favourite vocalists (Schmit). And my favourite comeback concert ever (they performed after a '14 year vacation').

Will Do/TV On The Radio

http://www.youtube.com/watch?v=c9erHKnztSA

Great new find (for me, at least)! Really nice melody.
(Also, I read that Gerard Smith, their bassist passed away recently. RIP.)

Thursday, April 21, 2011

Great Albums (Ballads/Richard Marx)

Year:  1994

Few people who've lived the nineties can say that they haven't heard of Richard Marx. His piano serenade "Right Here Waiting" has been included in every Valentine's Day compilation since its release. "Ballads" is a collection of some of his most powerful love songs. Yes, the mush quotient is high, but that doesn't change the fact that these are some fantastic songs.

Personal Picks: The punchy "Keep Coming Back", the breezy "Endless Summer Nights" and the arena rocker "Heaven Only Knows"

The Guitar Solo

Who's Crying Now/Journey  (Outro. Clinical solo)
Nutshell/Alice In Chains  (Outro. Cantrell is so the bandmate every band wants)
Maria Maria/Santana  (The cheesy lick that follows every verse. Only a Carlos Santana can pull that off)

Monday, April 18, 2011

Wednesday, April 13, 2011

Arlandria/Foo Fighters

http://www.youtube.com/watch?v=Y4n2z7Io2Ic

Their new album sounds more modern-rock than ever.

In Bloom/Nirvana

http://www.youtube.com/watch?v=LhRwkC6RxcU

Grohl (drums) is the master of the flam roll. This song has one of Cobain's best guitar solos at 2:53. The powerful chorus actually features four voices - two of Cobain and two of Grohl. They simply recorded the secondary vocals on top of the primary ones. Genius.

Tuesday, April 12, 2011

Monday, April 11, 2011

Great Albums (Pure Moods/Various Artists)

Year: 1997

The first in a series of world music compilations, this is a great collection of new age hits, featuring songs by Enya, Mark Isham, Deep Forest and other reputed artists. A recommended listen for those new to the genre and a must-have for world music enthusiasts.

Personal Picks: The techno-heavy "X-Files Theme/DJ Dado", the haunting "Tubular Bells/Mike Oldfield" and the capricious "Orinoco Flow/Enya"

Saturday, April 9, 2011

Eminence Front/The Who

http://www.youtube.com/watch?v=-u0GJdNu1Ds

Another tune for the road. Townshend's familiar synth loop ("Won't get fooled again", "Baba o' Riley") plays in the background.
(Note: The song ends at 5:40. Don't bother buffering beyond that.)

Thursday, April 7, 2011

Tuesday, April 5, 2011

Bluesy Tuesday

Backlash Blues/Nina Simone  (The real deal)

Give Me One Reason/Tracy Chapman  (Funk-edged blues. Trippy stuff)

Money/Pink Floyd  (They weren't a blues band, but the part from 3:05 to 5:05 is about as badass as you can get with the 12-bar pattern)

Sex Object/Kraftwerk

http://www.youtube.com/watch?v=ix07wGATlHk

The pioneers of electronica. Robots with attitude.

Monday, April 4, 2011

Icefire/Pat Metheny

http://www.youtube.com/watch?v=7QkgeOzyqhg

His guitar goes deep under your skin, touches every tissue in your body and tells your blood to slow the hell down. One of the few guys around whose instruments talk for them.

Sunday, April 3, 2011

Games/Strokes

http://www.youtube.com/watch?v=Yu0bluEpy30

My favourite track off their new album. The drum-roll in the chorus is so outrageously deliberate, it makes me laugh every time I hear it.

Easy/Commodores

http://www.youtube.com/watch?v=7UHfu4w7jS8

The magic of motown music lies in the backing vocals.